Chord Substitutions - Part 2

| | Comments (0)
Any dominant seventh chord can be preceded by a minor seventh chord a fifth higher in tone.

(C major, C maj and C are the same thing)

Original progression: Cmaj //// Am //// F //// G7 ////
New progression:      C //// Am //// F //// Dm //// G7 ////


Any major, minor or dominant seventh chord may be preceded 
with a dominant seventh chord a fifth higher in tone.

Original progression: C //// Am //// F //// G7 //// C ////
New progression:      C //// Am //// C7 //// F //// G7 //// C ////

Original progression: C //// Am //// F //// G7 //// C ////
New progression:      C //// E7 //// Am //// F //// G7 //// C ////

Original progression: C //// Am //// F //// G7 //// C ////
New progression:      C //// Am //// F //// D7 //// G7 //// C ////

Original progression: G //// G7 //// C //// 
New progression:      G //// Dm7 //// G13 //// G7#5 //// C ////                                                    
(or you can end with any diatonic substation for C major like C maj 6/9)


Now lets combine both techniques:


Original progression: C //// Am //// F //// G7 //// C ////
New progression:      C //// E7 //// Am //// F //// Dm7 //// G7 //// C ////

Original progression: C //// Am //// F //// G7 //// C ////
New progression:      C //// E7 //// Am //// C7 //// F //// G7 //// C ////




As always transpose to all keys!






All materials copy-write 2010. For personal use only.
Vince Lauria Sun and Earth Music.




Leave a comment

About this Entry

This page contains a single entry by Vince Lauria published on February 19, 2010 10:55 AM.

Chord Substitutions - Part 1 was the previous entry in this blog.

Chord Substitutions - Part 3 is the next entry in this blog.

Find recent content on the main index or look in the archives to find all content.

Pages

Powered by Movable Type 4.12