Chord Substitutions - Part 3

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Flat Five Substitution:
Substitute a Dominant Seventh Chord with another Dominant Seventh Chord 
where the root is a flat fifth (diminished) apart:                   

Original progression: Dm7 //// G7 //// Cmaj7 ////
New progression:     Dm7 //// Db7 //// Cmaj7 ////

The D Flat Dominant seventh was substituted for the G dominant seventh. The D Flat Dominant Seventh is a flat fifth interval distance from the G seventh. Also called a tritone interval. A distance of three whole steps. Tri means three, Tone in this case means three whole step. G to A, A to B, B to D flat.


Original progression: Em7 //// Dm7 //// Cmaj7 ////
New progression:     Em7 //// Dm7 //// Db7/6 //// Cmaj7 ////

Original progression: Em7 //// A7 //// Dm7 //// G7 //// Cmaj7 ////
New progression:      Em7 //// Eb7 //// Dm7 //// Db7 //// Cmaj7 ////

Original progression: Em7 //// A7 //// Dm7 //// G7 //// Cmaj7 ////
New progression:      Em7#5 //// A7#9 //// Dm7 //// G11 //// Cmaj7 ////
Notice how the C note is used as a pedal tone throughout the cord changes.  

Em7#5 = R, b3, b7, #5 =  E, G, D, C
A7#9    = R,  3, b7, #9 =  A, C#, G, C 
Dm7     = R, b3, 5, b7 =   D, F, A, C
G11      = R, b7, 9, 11 =   G, F, A, C
C maj 7 = R, 3, 5, 7, R = C, E, G, B, C  
 
Notice how the C note remains throughout each chord change.


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This page contains a single entry by Vince Lauria published on February 22, 2010 8:22 AM.

Chord Substitutions - Part 2 was the previous entry in this blog.

Chord Substitutions - Part 4 is the next entry in this blog.

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