Diatonic Substitutions - Part 1

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Using the C major scale (Major Key Substitutions) lets look at the most common diatonic (within the scale) substitutions.

Original progression:   C ////  F //// G //// C ////
First substitution:        Am //// F //// G //// C ////      (replace C major with A minor)
Second substitution:    Am7 //// F //// G //// C ////     (replace C major with A minor seventh)
Third substitution:       Em ////  F //// G //// C ////     (replace C major with E minor)
Fourth substitution:     Em7 ////  F //// G //// C ////   (replace C major with E minor seventh)

The Tonic or I chord (C major chord) can be replaced with the iii, Em or Em7 or the vi, Am or Am7. 

Original progression:   C //// F //// G/// C ////
First substitution:        C //// Dm //// G //// C ////      (replace F major with D minor)
Second substitution:    C //// Dm7 //// G //// C ////     (replace F major with D minor seventh)
Third substitution:       C //// Am //// G //// C ////      (replace F major with A minor)
Fourth substitution:     C //// Am7 //// G //// C ////    (replace F major with A minor seventh)

The Subdominant or IV chord or F major can be replaced with the ii, or vi chords i.e. Dm, Dm7 or Am, Am7. Also Dm or Am with F major.

Original progression:   C //// F //// G/// C ////
First substitution:        C //// F //// Bo //// C ////       (replace G major or G7 with B diminished)
Second substitution:    C //// F //// Bm7b5 //// C ////  (replace G major or G7 with B minor seventh flat fifth)

The Dominant or V7 (G7) or V (G) chord can be replaced with the Diminished chord viio - 
B diminished or B minor seventh flat fifth. 
Also Bo, Bm7b5 can replace the G or G7.



Using the A minor scale (Minor Key Substitutions) lets look at the most common diatonic (within the scale) substitutions. A minor is the Relative Minor also called the Aeolian mode.

The Im (minor seventh) replaced with the (b III) Major or Major Seventh
Original progression: Am7//// Dm7 //// Em7 //// Am7 ////                                                    
Substitution progression: Cmaj7 //// Dm7 //// Em7 //// Am7 ////
 

The IVm (minor seventh) replaced with the (Viio) Diminished or Minor Seventh Flat Fifth
or the (bVI) F major or F Major Seventh
Original progression: Dm7//// Em7 //// Am7 ////                                                    
Substitution progression: Bo //// Em7 //// Am7 ////
or Bm7b5 //// Em7 //// Am7 //// or 
Fmaj7 //// Em7 //// Am7 ////

The Vm (minor seventh) replaced with the (bVII) G Dominant Seventh
Original progression: Dm7//// Em7 //// Am7 ////                                                    
Substitution progression: Dm7 //// G7 //// Am7 ////

The Vm (minor seventh) replaced with the Dominant Seventh or Diminished or Diminished Seventh 
Original progression: Dm7//// Em7 //// Am7 ////                                                    
Substitution progression: Dm7 //// E7 //// Am7 ////

Original progression: Dm7//// Em7 //// Am7 ////                                                    
Substitution progression: Dm7 //// G#o //// Am7 ////
or Dm7 //// G#o7 //// Am7 ////




Now transpose these to each position (register) of your instrument, then to all 15 keys.


All materials copyright 2010. For personal use only.

Vince Lauria Sun and Earth Music






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This page contains a single entry by Vince Lauria published on February 11, 2010 10:27 PM.

Eight Most Common Blues Scales For Improvisation was the previous entry in this blog.

Diatonic Substitutions - Part 2 is the next entry in this blog.

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