Archives
- 2012.01.01: Creating Melody With Common Chord Progressions Part XII
- 2011.12.18: Creating Melody With Common Chord Progressions Part XI
- 2011.12.10: Creating Melody With Common Chord Progressions Part X
- 2011.11.26: Creating Melody With Common Chord Progressions Part IX
- 2011.11.15: Creating Melody With Common Chord Progressions Part VIII
- 2011.11.11: Creating Melody With Common Chord Progressions Part VII
- 2011.10.24: Creating Melody With Common Chord Progressions Part VI
- 2011.10.11: Creating Melody With Common Chord Progressions Part V
- 2011.10.06: Creating Melody With Common Chord Progressions Part IV
- 2011.09.20: Creating Melody With Common Chord Progressions Part III
- 2011.09.16: Creating Melody With Common Chord Progressions Part II
- 2011.09.14: Creating Melody With Common Chord Progressions
- 2011.07.12: Variations on a Melody Part XXXVII
- 2011.06.18: Variations on a Melody Part XXXVI
- 2011.06.08: Variations on a Melody Part XXXV
- 2011.06.05: Variations on a Melody Part XXXIV
- 2011.06.01: Variations on a Melody Part XXXIII
- 2011.05.28: Variations on a Melody Part XXXII
- 2011.05.23: Variations on a Melody Part XXXI
- 2011.05.18: Variations on a Melody Part XXX
- 2011.05.13: Variations on a Melody Part XXIX
- 2011.05.12: Variations on a Melody Part XVIII
- 2011.05.07: Variations on a Melody Part XXVII
- 2011.05.03: Variations on a Melody Part XXVI
- 2011.04.28: Variations on a Melody Part XXV
- 2011.04.26: Variations on a Melody Part XXIV
- 2011.04.24: Variations on a Melody Part XXIII
- 2011.04.23: Variations on a Melody Part XXII
- 2011.04.21: Variations on a Melody Part XXI
- 2011.04.19: Variations on a Melody Part XX
- 2011.04.10: Variations on a Melody Part XIX
- 2011.04.08: Variations on a Melody Part XVIII
- 2011.04.07: Variations on a Melody Part XVII
- 2011.04.05: Variations on a Melody Part XVI
- 2011.04.03: Variations on a Melody Part XV
- 2011.04.01: Variations on a Melody Part XIV
- 2011.03.20: Variations on a Melody Part XIII
- 2011.03.14: Variations on a Melody Part XII
- 2011.03.13: Variations on a Melody Part XI
- 2011.03.12: Variations on a Melody Part X
- 2011.03.11: Variations on a Melody Part IX
- 2011.03.11: Variations on a Melody Part VIII
- 2011.03.10: Variations on a Melody Part VII
- 2011.03.08: Variations on a Melody Part VI
- 2011.03.06: Variations on a Melody Part V
- 2011.03.05: Variations on a Melody Part IV
- 2011.03.02: Variations on a Melody Part III
- 2011.03.01: Variations on a Melody Part II
- 2011.02.27: Variations on a Melody Part I
- 2011.02.14: Bi-Tonal Arpeggios Part IV
- 2011.02.09: Bi-Tonal Arpeggios Part III
- 2011.02.04: Bi-Tonal Arpeggios Part II
- 2011.02.02: Bi-Tonal Arpeggios Part I
- 2011.01.27: Chord Nucleus Concept Part IV
- 2011.01.19: Chord Nucleus Concept Part III
- 2011.01.16: Chord Nucleus Concept Part II
- 2011.01.13: Chord Nucleus Concept Part I
- 2011.01.11: Reflections on Music Theory Blog
- 2011.01.04: Applying Modes In A Blues Idiom Part V
- 2011.01.02: Applying Modes In A Blues Idiom Part IV
- 2011.01.01: Applying Modes In A Blues Idiom Part III
- 2010.12.31: Applying Modes In A Blues Idiom Part II
- 2010.12.28: Applying Modes In A Blues Idiom Part I
- 2010.12.26: Partial Chords Part X
- 2010.12.24: Partial Chords Part IX
- 2010.12.22: Partial Chords Part VIII
- 2010.12.21: Partial Chords Part VII
- 2010.12.19: Partial Chords Part VI
- 2010.12.15: Partial Chords Part V
- 2010.12.12: Partial Chords Part IV
- 2010.12.09: Partial Chords Part III
- 2010.12.05: Partial Chords Part II
- 2010.12.04: Partial Chords Part I
- 2010.11.30: Using Pedal Tones in Diatonic Chord Progressions Part X
- 2010.11.28: Using Pedal Tones in Diatonic Chord Progressions Part IX
- 2010.11.28: Using Pedal Tones in Diatonic Chord Progressions Part VIII
- 2010.11.27: Using Pedal Tones in Diatonic Chord Progressions Part VII
- 2010.11.26: Using Pedal Tones in Diatonic Chord Progressions Part VI
- 2010.11.24: Using Pedal Tones in Diatonic Chord Progressions Part V
- 2010.11.21: Using Pedal Tones in Diatonic Chord Progressions Part IV
- 2010.11.20: Using Pedal Tones in Diatonic Chord Progressions Part III
- 2010.11.17: Using Pedal Tones in Diatonic Chord Progressions Part II
- 2010.11.15: Using Pedal Tones in Diatonic Chord Progressions Part I
- 2010.11.12: Symmetrical Substitution Chords
- 2010.11.10: Parallel And Functional Harmonies
- 2010.11.08: Pedal Tone
- 2010.10.31: Reharmonization
- 2010.10.28: Planing
- 2010.10.13: Pivot Chords
- 2010.10.01: Synonyms
- 2010.09.29: Voice Leading Part XXIII - with chromatic passing tones
- 2010.09.22: Voice Leading Part XXII - with chromatic passing tones
- 2010.09.20: Voice Leading Part XXI - with chromatic passing tones
- 2010.09.17: Voice Leading Part XX - with chromatic passing tones
- 2010.09.12: Voice Leading Part XVIIII - with chromatic passing tones
- 2010.08.27: Voice Leading Part XVIII - with chromatic passing tones
- 2010.08.08: Voice Leading Part XVII - with chromatic passing tones
- 2010.08.08: Voice Leading Part XVI - with chromatic passing tones
- 2010.08.06: Voice Leading Part XV - with chromatic passing tones
- 2010.08.04: Voice Leading Part XIV
- 2010.07.25: Voice Leading Part XIII
- 2010.07.21: Voice Leading Part XII
- 2010.07.18: Voice Leading Part XI
- 2010.07.16: Voice Leading Part X
- 2010.07.14: Voice Leading Part IX
- 2010.07.07: Voice Leading Part VIII
- 2010.06.29: Voice Leading Part VII
- 2010.06.23: Voice Leading Part VI
- 2010.06.20: Voice Leading Part V
- 2010.06.19: Voice Leading Part IV
- 2010.06.17: Voice Leading Part III
- 2010.06.13: Voice Leading Part II
- 2010.06.12: Voice Leading Part I
- 2010.06.02: Arpeggios Played In One Position Part V
- 2010.05.27: Arpeggios Played In One Position Part IV
- 2010.05.25: Arpeggios Played In One Position Part III
- 2010.05.21: Arpeggios Played In One Position Part II
- 2010.05.20: Arpeggios Played In One Position
- 2010.05.15: Polytonal Chords Part IV
- 2010.05.10: Polytonal Chords Part III
- 2010.05.07: Polytonal Chords Part II
- 2010.05.05: Polytonal Chords Part I
- 2010.04.29: Dominant Seventh Chord - Arpeggios - Non-Functioning Part IX
- 2010.04.24: Dominant Seventh Chord - Arpeggios - Functioning Part VIII
- 2010.04.22: Dominant Seventh Chord - Arpeggios - Functioning Part VII
- 2010.04.20: Dominant Seventh Chord - Non-Functioning Part VI
- 2010.04.18: Dominant Seventh Chord - Non-Functioning Part V
- 2010.04.17: Dominant Seventh Chord - Non-Functioning Part IV
- 2010.04.15: Dominant Seventh Chord - Functioning Part III
- 2010.04.11: Dominant Seventh Chord - Functioning Part II
- 2010.04.06: Dominant Seventh Chord - Functioning and Non-Functioning
- 2010.03.28: Using flash cards to memorize chords and their number formulas
- 2010.03.18: Circle of fourths and their relative minor family of chords
- 2010.03.15: Circle of fourths and their family of chords.
- 2010.03.12: Circle of fifths and their relative minor family of chords.
- 2010.03.12: Circle of fifths and their family of chords.
- 2010.03.11: Circle of Fourths
- 2010.03.09: Circle of Fifths
- 2010.03.08: Intervals
- 2010.03.05: Slash Chords
- 2010.02.28: Chord Substitutions - Part VI
- 2010.02.27: Chord Substitutions - Part V
- 2010.02.25: Chord Substitutions - Part IV
- 2010.02.22: Chord Substitutions - Part III
- 2010.02.19: Chord Substitutions - Part II
- 2010.02.17: Chord Substitutions - Part I
- 2010.02.12: Diatonic Substitutions - Part II
- 2010.02.11: Diatonic Substitutions - Part I
- 2010.02.10: Eight Most Common Blues Scales For Improvisation
- 2010.02.06: Harmonic function of chords - How do we use chords and scales in songs? Part VI
- 2010.02.02: The Whole Tone Scale - Dominant Seventh Sharp Five Chord
- 2010.02.01: The Diminished 7th Scale and its Created Chord Types
- 2010.01.28: Harmonic function of chords - How do we use chords and scales in songs? Part V
- 2010.01.26: Harmonic function of chords - How do we use chords and scales in songs? Part IV
- 2010.01.25: Harmonic function of chords - How do we use chords and scales in songs? Part III
- 2010.01.24: Harmonic function of chords - How do we use chords and scales in songs? Part II
- 2010.01.23: Harmonic function of chords - How do we use chords and scales in songs? Part I
- 2010.01.21: What the heck do I do with all this information?
- 2010.01.19: Recap of Harmonic Major Scale Modes - Diatonic substitutions
- 2010.01.17: Harmonic Major Modes - Locrian Diminished 7 - Diatonic Substitutions - Mode 7
- 2010.01.14: Harmonic Major Modes - Lydian Augmented #2 - Diatonic Substitutions - Mode 6
- 2010.01.10: Harmonic Major Modes - Mixolydian b9 - Diatonic Substitutions - Mode 5
- 2009.12.29: Harmonic Major Modes - Lydian Diminished - Diatonic Substitutions - Mode 4
- 2009.12.26: Harmonic Major Modes - Superphrygian - Diatonic Substitutions - Mode 3
- 2009.12.24: Harmonic Major Modes - Dorian b5 - Diatonic Substitutions - Mode 2
- 2009.12.21: Harmonic Major Modes - Ionian b6 - Diatonic Substitutions - Mode 1
- 2009.12.20: Recap of Melodic Minor Scale Modes - Diatonic Substitutions
- 2009.12.17: Melodic Minor Modes - Superlocrian - Diatonic Substitutions - Mode 7
- 2009.12.13: Melodic Minor Modes - Locrian #2 - Diatonic Substitutions - Mode 6
- 2009.12.09: Melodic Minor Modes - Mixolydian b6 - Diatonic Substitutions - Mode 5
- 2009.12.06: Melodic Minor Modes - Lydian Dominant - Diatonic Substitutions - Mode 4
- 2009.12.04: Melodic Minor Modes - Lydian #5 - Diatonic Substitutions - Mode 3
- 2009.11.28: Melodic Minor Modes - Dorian b2 - Diatonic Substitutions - Mode 2
- 2009.11.25: Melodic Minor Modes - Dorian #7 - Diatonic Substitutions - Mode 1
- 2009.11.22: Recap of Harmonic Minor Scale Modes - Diatonic Substitutions
- 2009.11.21: Harmonic Minor Modes - Ultralocrian - Diatonic Substitutions - Mode 7
- 2009.11.18: Harmonic Minor Modes - Lydian #2 - Diatonic Substitutions - Mode 6
- 2009.11.17: Harmonic Minor Modes - Phrygian Dominant - Diatonic Substitutions - Mode 5
- 2009.11.15: Harmonic Minor Modes - Dorian #4 - Diatonic Substitutions - Mode 4
- 2009.11.14: Harmonic Minor Modes - Ionian #5 - Diatonic Substitutions - Mode 3
- 2009.11.13: Harmonic Minor Modes - Locrian #6 - Diatonic Substitutions - Mode 2
- 2009.11.12: Harmonic Minor Modes - Aeolian #7 - Diatonic Substitutions - Mode 1
- 2009.11.11: Recap of Major Scale Modes - Diatonic substitutions
- 2009.11.09: Major Scale Modes - Locrian - Diatonic Substitutions - Mode 7
- 2009.11.09: Major Scale Modes - Aeolian - Diatonic Substitutions - Mode 6
- 2009.11.08: Major Scale Modes - Mixolydian - Diatonic Substitutions - Mode 5
- 2009.11.07: Major Scale Modes - Lydian - Diatonic Substitutions - Mode 4
- 2009.11.05: Major Scale Modes - Phrygian - Diatonic Substitutions - Mode 3
- 2009.11.05: Major Scale Modes - Dorian - Diatonic Substitutions - Mode 2
- 2009.11.03: Major Scale Modes - Ionian - Diatonic Substitutions - Mode 1
- 2009.11.02: Review of all Modes - twenty eight total modes
- 2009.11.01: Recap of Harmonic Major Scale Modes
- 2009.10.31: Harmonic Major Modes - Locrian Diminished 7 - Mode 7
- 2009.10.30: Harmonic Major Modes - Lydian Augmented #2 - Mode 6
- 2009.10.29: Harmonic Major Modes - Mixolydian b9 - Mode 5
- 2009.10.28: Harmonic Major Modes - Lydian Diminished - Mode 4
- 2009.10.27: Harmonic Major Modes - Superphrygian - Mode 3
- 2009.10.26: Harmonic Major Modes - Dorian b5 - Mode 2
- 2009.10.25: Harmonic Major Modes - Ionian b6 - Mode 1
- 2009.10.24: Recap of Melodic Minor Scale Modes
- 2009.10.23: Melodic Minor Modes - Superlocrian - Mode 7
- 2009.10.20: Melodic Minor Modes - Locrian #2 - Mode 6
- 2009.10.19: Melodic Minor Modes - Mixolydian b6 - Mode 5
- 2009.10.18: Melodic Minor Modes - Lydian Dominant - Mode 4
- 2009.10.17: Melodic Minor Modes - Lydian #5 - Mode 3
- 2009.10.15: Melodic Minor Modes - Dorian b2 - Mode 2
- 2009.10.13: Melodic Minor Modes - Dorian #7 - Mode 1
- 2009.10.11: Recap of Harmonic Minor Scale Modes
- 2009.10.10: Harmonic Minor Modes - Ultralocrian - Mode 7
- 2009.10.09: Harmonic Minor Modes - Lydian #2 - Mode 6
- 2009.10.08: Harmonic Minor Modes - Phrygian Dominant - Mode 5
- 2009.10.07: Harmonic Minor Modes - Dorian #4 - Mode 4
- 2009.10.07: Harmonic Minor Modes - Ionian #5 - Mode 3
- 2009.10.06: Harmonic Minor Modes - Locrian #6 - Mode 2
- 2009.10.05: Harmonic Minor Modes - Aeolian #7 - Mode 1
- 2009.10.04: Recap of Major Scale Modes
- 2009.10.03: Major Scale Modes - Locrian - Mode - 7
- 2009.10.02: Student Question About Modes
- 2009.10.02: Major Scale Modes - Aeolian - Mode - 6
- 2009.10.01: Major Scale Modes - Mixolydian - Mode 5
- 2009.09.30: Major Scale Modes - Lydian - Mode 4
- 2009.09.29: Major Scale Modes - Phrygian - Mode 3
- 2009.09.28: Major Scale Modes - Dorian - Mode 2
- 2009.09.24: Fun with Major Scale Modes - Ionian - Mode 1
- 2009.09.21: Right Hand Arpeggio Picking for Acoustic / Electric guitar
- 2009.09.20: Finger Exercise For Guitar Part III
- 2009.09.19: Finger Exercises For Guitar Part II
- 2009.09.18: Finger Exercises For Guitar Part I
- 2009.09.17: Tips For Soloing and Melody Creation
- 2009.09.14: More Chord Progressions And The Major Pentatonic Scale
- 2009.09.12: More Fun With The Minor Pentatonic Scale!
- 2009.09.11: Applying the Minor Pentatonic Scale
- 2009.09.10: The Minor Pentatonic Scale
- 2009.09.06: Common Blues Riffs!
- 2009.09.05: Fun with the Blues Scale!
- 2009.09.01: The Blues Scale
- 2009.08.29: String Groups For Guitar Part IV
- 2009.08.26: String Groups For Guitar Part III
- 2009.08.25: String Groups For Guitar Part II
- 2009.08.24: String Groups For Guitar Part I
- 2009.08.22: Proper Technique For Changing Chords
- 2009.08.21: Using Chords with Scale Notes to Solo
- 2009.08.20: Use of Family of Chords In a Popular Song
- 2009.08.19: Music Chord Theory Part IV
- 2009.08.18: Music Chord Theory Part III
- 2009.08.17: Music Chord Theory Part II
- 2009.08.15: Music Chord Theory Part I
- 2009.08.13: Music Tip - The first 3 months
- 2009.08.12: Practice Tips For Maximum Musical Progress
- 2009.08.04: Developing Good Rhythm Technique
- 2009.07.29: Song Writing 101 Part IV
- 2009.07.25: Song Writing 101 Part III
- 2009.07.21: Song Writing 101 Part II
- 2009.07.18: Bass Guitar Techniques
- 2009.07.17: Use of Scale Tones to connect Chords Part II
- 2009.07.14: Use of Scale Tones to Connect Chords
- 2009.07.13: Good Practice Procedures and Strumming Techniques
- 2008.08.11: Family Of Chords - Song Writing 101
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