Archives
- 2010.07.25: Voice Leading Part XIII
- 2010.07.21: Voice Leading Part XII
- 2010.07.18: Voice Leading Part XI
- 2010.07.16: Voice Leading Part X
- 2010.07.14: Voice Leading Part IX
- 2010.07.07: Voice Leading Part VIII
- 2010.06.29: Voice Leading Part VII
- 2010.06.23: Voice Leading Part VI
- 2010.06.20: Voice Leading Part V
- 2010.06.19: Voice Leading Part IV
- 2010.06.17: Voice Leading Part III
- 2010.06.13: Voice Leading Part II
- 2010.06.12: Voice Leading
- 2010.06.02: Arpeggios Played In One Position Part V
- 2010.05.27: Arpeggios Played In One Position Part IV
- 2010.05.25: Arpeggios Played In One Position Part III
- 2010.05.21: Arpeggios Played In One Position Part II
- 2010.05.20: Arpeggios Played In One Position
- 2010.05.15: Polytonal Chords Part IV
- 2010.05.10: Polytonal Chords Part III
- 2010.05.07: Polytonal Chords Part II
- 2010.05.05: Polytonal Chords
- 2010.04.29: Dominant Seventh Chord - Arpeggios - Non-Functioning Part IX
- 2010.04.24: Dominant Seventh Chord - Arpeggios - Functioning Part VIII
- 2010.04.22: Dominant Seventh Chord - Arpeggios - Functioning Part VII
- 2010.04.20: Dominant Seventh Chord - Non-Functioning Part VI
- 2010.04.18: Dominant Seventh Chord - Non-Functioning Part V
- 2010.04.17: Dominant Seventh Chord - Non-Functioning Part IV
- 2010.04.15: Dominant Seventh Chord - Functioning Part III
- 2010.04.11: Dominant Seventh Chord - Functioning Part II
- 2010.04.06: Dominant Seventh Chord - Functioning and Non-Functioning
- 2010.03.28: Using flash cards to memorize chords and their number formulas
- 2010.03.18: Circle of fourths and their relative minor family of chords
- 2010.03.15: Circle of fourths and their family of chords.
- 2010.03.12: Circle of fifths and their relative minor family of chords.
- 2010.03.12: Circle of fifths and their family of chords.
- 2010.03.11: Circle of Fourths
- 2010.03.09: Circle of Fifths
- 2010.03.08: Intervals
- 2010.03.05: Slash Chords
- 2010.02.28: Chord Substitutions - Part 6
- 2010.02.27: Chord Substitutions - Part 5
- 2010.02.25: Chord Substitutions - Part 4
- 2010.02.22: Chord Substitutions - Part 3
- 2010.02.19: Chord Substitutions - Part 2
- 2010.02.17: Chord Substitutions - Part 1
- 2010.02.12: Diatonic Substitutions - Part 2
- 2010.02.11: Diatonic Substitutions - Part 1
- 2010.02.10: Eight Most Common Blues Scales For Improvisation
- 2010.02.06: Harmonic function of chords - How do we use chords and scales in songs? Part VI
- 2010.02.02: The Whole Tone Scale - Dominant Seventh Sharp Five Chord
- 2010.02.01: The Diminished 7th Scale and its Created Chord Types
- 2010.01.28: Harmonic function of chords - How do we use chords and scales in songs? Part V
- 2010.01.26: Harmonic function of chords - How do we use chords and scales in songs? Part IV
- 2010.01.25: Harmonic function of chords - How do we use chords and scales in songs? Part III
- 2010.01.24: Harmonic function of chords - How do we use chords and scales in songs? Part II
- 2010.01.23: Harmonic function of chords - How do we use chords and scales in songs? Part I
- 2010.01.21: What the heck do I do with all this information?
- 2010.01.19: Recap of Harmonic Major Scale Modes - Diatonic substitutions
- 2010.01.17: Harmonic Major Modes - Locrian Diminished 7 - Diatonic Substitutions - Mode 7
- 2010.01.14: Harmonic Major Modes - Lydian Augmented #2 - Diatonic Substitutions - Mode 6
- 2010.01.10: Harmonic Major Modes - Mixolydian b9 - Diatonic Substitutions - Mode 5
- 2009.12.29: Harmonic Major Modes - Lydian Diminished - Diatonic Substitutions - Mode 4
- 2009.12.26: Harmonic Major Modes - Superphrygian - Diatonic Substitutions - Mode 3
- 2009.12.24: Harmonic Major Modes - Dorian b5 - Diatonic Substitutions - Mode 2
- 2009.12.21: Harmonic Major Modes - Ionian b6 - Diatonic Substitutions - Mode 1
- 2009.12.20: Recap of Melodic Minor Scale Modes - Diatonic Substitutions
- 2009.12.17: Melodic Minor Modes - Superlocrian - Diatonic Substitutions - Mode 7
- 2009.12.13: Melodic Minor Modes - Locrian #2 - Diatonic Substitutions - Mode 6
- 2009.12.09: Melodic Minor Modes - Mixolydian b6 - Diatonic Substitutions - Mode 5
- 2009.12.06: Melodic Minor Modes - Lydian Dominant - Diatonic Substitutions - Mode 4
- 2009.12.04: Melodic Minor Modes - Lydian #5 - Diatonic Substitutions - Mode 3
- 2009.11.28: Melodic Minor Modes - Dorian b2 - Diatonic Substitutions - Mode 2
- 2009.11.25: Melodic Minor Modes - Dorian #7 - Diatonic Substitutions - Mode 1
- 2009.11.22: Recap of Harmonic Minor Scale Modes - Diatonic Substitutions
- 2009.11.21: Harmonic Minor Modes - Ultralocrian - Diatonic Substitutions - Mode 7
- 2009.11.18: Harmonic Minor Modes - Lydian #2 - Diatonic Substitutions - Mode 6
- 2009.11.17: Harmonic Minor Modes - Phrygian Dominant - Diatonic Substitutions - Mode 5
- 2009.11.15: Harmonic Minor Modes - Dorian #4 - Diatonic Substitutions - Mode 4
- 2009.11.14: Harmonic Minor Modes - Ionian #5 - Diatonic Substitutions - Mode 3
- 2009.11.13: Harmonic Minor Modes - Locrian #6 - Diatonic Substitutions - Mode 2
- 2009.11.12: Harmonic Minor Modes - Aeolian #7 - Diatonic Substitutions - Mode 1
- 2009.11.11: Recap of Major Scale Modes - Diatonic substitutions
- 2009.11.09: Major Scale Modes - Locrian - Diatonic Substitutions - Mode 7
- 2009.11.09: Major Scale Modes - Aeolian - Diatonic Substitutions - Mode 6
- 2009.11.08: Major Scale Modes - Mixolydian - Diatonic Substitutions - Mode 5
- 2009.11.07: Major Scale Modes - Lydian - Diatonic Substitutions - Mode 4
- 2009.11.05: Major Scale Modes - Phrygian - Diatonic Substitutions - Mode 3
- 2009.11.05: Major Scale Modes - Dorian - Diatonic Substitutions - Mode 2
- 2009.11.03: Major Scale Modes - Ionian - Diatonic Substitutions - Mode 1
- 2009.11.02: Review of all Modes - twenty eight total modes
- 2009.11.01: Recap of Harmonic Major Scale Modes
- 2009.10.31: Harmonic Major Modes - Locrian Diminished 7 - Mode 7
- 2009.10.30: Harmonic Major Modes - Lydian Augmented #2 - Mode 6
- 2009.10.29: Harmonic Major Modes - Mixolydian b9 - Mode 5
- 2009.10.28: Harmonic Major Modes - Lydian Diminished - Mode 4
- 2009.10.27: Harmonic Major Modes - Superphrygian - Mode 3
- 2009.10.26: Harmonic Major Modes - Dorian b5 - Mode 2
- 2009.10.25: Harmonic Major Modes - Ionian b6 - Mode 1
- 2009.10.24: Recap of Melodic Minor Scale Modes
- 2009.10.23: Melodic Minor Modes - Superlocrian - Mode 7
- 2009.10.20: Melodic Minor Modes - Locrian #2 - Mode 6
- 2009.10.19: Melodic Minor Modes - Mixolydian b6 - Mode 5
- 2009.10.18: Melodic Minor Modes - Lydian Dominant - Mode 4
- 2009.10.17: Melodic Minor Modes - Lydian #5 - Mode 3
- 2009.10.15: Melodic Minor Modes - Dorian b2 - Mode 2
- 2009.10.13: Melodic Minor Modes - Dorian #7 - Mode 1
- 2009.10.11: Recap of Harmonic Minor Scale Modes
- 2009.10.10: Harmonic Minor Modes - Ultralocrian - Mode 7
- 2009.10.09: Harmonic Minor Modes - Lydian #2 - Mode 6
- 2009.10.08: Harmonic Minor Modes - Phrygian Dominant - Mode 5
- 2009.10.07: Harmonic Minor Modes - Dorian #4 - Mode 4
- 2009.10.07: Harmonic Minor Modes - Ionian #5 - Mode 3
- 2009.10.06: Harmonic Minor Modes - Locrian #6 - Mode 2
- 2009.10.05: Harmonic Minor Modes - Aeolian #7 - Mode 1
- 2009.10.04: Recap of Major Scale Modes
- 2009.10.03: Major Scale Modes - Locrian - Mode - 7
- 2009.10.02: Student question about Modes
- 2009.10.02: Major Scale Modes - Aeolian - Mode - 6
- 2009.10.01: Major Scale Modes - Mixolydian - Mode 5
- 2009.09.30: Major Scale Modes - Lydian - Mode 4
- 2009.09.29: Major Scale Modes - Phrygian - Mode 3
- 2009.09.28: Major Scale Modes - Dorian - Mode 2
- 2009.09.24: Fun with Major Scale Modes - Ionian - Mode 1
- 2009.09.21: Right hand arpeggio picking for acoustic guitar
- 2009.09.20: Finger exercise for guitar #3
- 2009.09.19: Finger exercises for guitar #2
- 2009.09.18: Finger exercises for guitar
- 2009.09.17: Tips for soloing and melody creation
- 2009.09.14: More chord progressions for C Minor Pentatonic scale
- 2009.09.12: More fun with the Pentatonic Scale!
- 2009.09.11: Using the Minor Pentatonic Scale
- 2009.09.10: The Minor Pentatonic Scale
- 2009.09.09: Common Blues chord progression for use with the Blues Scale
- 2009.09.06: Common Blues Riffs!
- 2009.09.05: Fun with the Blues Scale!
- 2009.09.01: The Blues Scale!
- 2009.08.30: Proper practice procedures and good habit building
- 2009.08.29: String groups for guitar part 4
- 2009.08.26: String groups for guitar part 3
- 2009.08.25: String groups for guitar part 2
- 2009.08.24: String groups for guitar part 1
- 2009.08.22: Changing chords using minimum movement and anchor fingers
- 2009.08.21: Using chords with scale notes to solo
- 2009.08.20: Use of Family of Chords in popular song
- 2009.08.19: Music Chord Theory part four
- 2009.08.18: Music Chord Theory part three
- 2009.08.17: Music Chord Theory part two
- 2009.08.15: Music Chord Theory 101
- 2009.08.13: Music tip - The first 3 months
- 2009.08.12: Practice tip for maximum musical progress
- 2009.08.04: Developing good Rhythm technique tip
- 2009.07.29: Song Writing 101 tip 04
- 2009.07.25: Song Writing 101 tip 03
- 2009.07.21: Song Writing 101 tip 02
- 2009.07.18: Bass tip 01
- 2009.07.17: Guitar tip 03- using scale tones to make smooth transitions from chord to chord
- 2009.07.14: Guitar tip 02 - use of scale tones to connect chords
- 2009.07.13: Guitar tip 01 - strumming technique
- 2008.08.11: Family of chords - building blocks of songs
Monthly Archives
Categories
Category Monthly Archives
- Advanced: June 2010
- Advanced: April 2010
- Advanced: February 2010
- Advanced: January 2010
- Advanced: December 2009
- Advanced: November 2009
- Advanced: October 2009
- Beginning: March 2010
- Beginning: September 2009
- Beginning: August 2009
- Beginning: July 2009
- Beginning: August 2008
- Intermediate: July 2010
- Intermediate: June 2010
- Intermediate: May 2010
- Intermediate: April 2010
- Intermediate: March 2010
- Intermediate: February 2010
- Intermediate: January 2010
- Intermediate: October 2009
- Intermediate: September 2009
- Intermediate: August 2009
