From The Composer's Chair: Search Results

Polytonal Chords Part IV

By

on May 15, 2010 9:05 AM | Permalink

This perspective also works for Dominant Chords.

Lets use the G Dominant Chords - using four note chords

G7th = R, 3rd, 5th, b7th G, B, D, F - two chords lie within the G7th chord:

G, B, D = G major and B, D, F = B diminished.

(So the Bass player could play the G note, the keyboard could play G major chord (G, B, D) and the guitar could play B diminished (B, D, F) across the neck to solo or make melodies arpeggio style).

Now lets look at other dominant chords and apply the polytonal approach:

G dominant 9th = R, 3rd, 5th, b7th, 9th G, B, D, F, A

G, B, D = G major and D, F, A = D minor

G dominant 11th = R, 3rd, 5th, b7th, 9th, 11th G, B, D, F, A, C

G, B, D = G major and D, F, A = D minor

G dominant 13th = R, 3rd, 5th, b7th, 9th, 11th, 13th G, B, D, F, A, C, E

G, B, D, F = G seventh and F, A, C, E = F major seventh

This also works for altered dominant chords:

G dominant 7th/b9 = R, 3rd, 5th, b7th, b9th G, B, D, F, Ab

G, B, D, F = G seventh and D, F, Ab = D diminished.

G dominant 7th/#9 = R, 3rd, 5th, b7th, #9th G, B, D, F, A#

G, B, D, F = G seventh and D, F, A#(Bb) = Bb major.

G dominant 7th/b5 = R, 3rd, b5th, b7th, G, B, Db, F,

G, B, Db = G#11 and B, Db, F, = Db (C#) seventh.

G dominant 7th/#5 = R, 3rd, #5th, b7th, G, B, D#, F,

G, B, D# = G#5 and B, D#, F, = B#11.

Assignment: Record each of these chords - using quarter note strums for five to ten minutes. Then using quarter then eighth notes on another track or with a friend - play the first, then second polytonal chord up and back arpeggio style.

Now transpose these to each position (register) of your instrument, then to all 15 keys.

Vince Lauria Sun and Earth Music

Tags:

Dominant Seventh Chord - Non-Functioning Part VI

By

Vince Lauria

on April 20, 2010 7:49 AM | Permalink

Remember that the non-functioning dominant seventh chords are not diatonically created. This means they are not from any harmonized family of chords.

An altered tension means to sharp or flat the 5th or the 9th degree of the dominant chord.

One simple approach to get altered tensions on a dominant chord that are non-functioning

(non diatonic) is to play a major scale one fret or half step above the root of the dominant chord. This technique produces the following tension tones:

b9, #9, 11, b5, #5, b7, R.

Remember this formula is the same for ALL KEYS.

Assignment: Record this progression in all keys and play the appropriate major scale (shown). On the dominant chord play the scale indicated on the right of the dominant chord. Remember to use quarter then eighth notes on another track or with a friend.

Dominant seventh sharp nine - number formula = R, 3rd, 5th, b7, #9 (same formula for ALL keys).

I, vi, ii , V7 in the key of C major: C maj //// Am //// Dm //// G7#9 //// Ab major

I, vi, ii , V7 in the key of G major: G maj //// Em //// Am //// D7#9 //// Eb major

I, vi, ii , V7 in the key of D major: D maj //// Bm //// Em //// A7#9 //// Bb major

I, vi, ii , V7 in the key of A major: A maj //// F#m //// Bm //// E7#9 //// F major

I, vi, ii , V7 in the key of E major: E maj //// C#m //// F#m //// B7#9 //// C major

I, vi, ii , V7 in the key of B major: B maj //// G#m //// C#m //// F#7#9 //// G major

I, vi, ii , V7 in the key of F# major: F# maj //// D#m //// G#m //// C#7#9 //// D major

I, vi, ii , V7 in the key of C# major: C# maj //// A#m //// D#m //// G#7#9 //// A major

I, vi, ii , V7 in the key of F major: F maj //// Dm //// Gm //// C7#9 //// C# major

I, vi, ii , V7 in the key of Bb major: Bb maj //// Gm //// Cm //// F7#9 //// F# major

I, vi, ii , V7 in the key of Eb major: Eb maj //// Cm //// Fm //// Bb7#9 //// B major

I, vi, ii , V7 in the key of Ab major: Ab maj //// Fm //// Bbm //// Eb7#9 //// E major

I, vi, ii , V7 in the key of Db major: Db maj //// Bbm //// Ebm //// Ab7#9 //// A major

I, vi, ii , V7 in the key of Gb major: Gb maj //// Ebm //// Abm //// Db7#9 //// D major

I, vi, ii , V7 in the key of Cb major: Cb maj //// Abm //// Dbm //// Gb7#9 //// G major

Now transpose these to each position (register) of your instrument, then to all 15 keys.

Vince Lauria Sun and Earth Music

Tags:

Dominant Seventh Chord - Non-Functioning Part V

By

Vince Lauria

on April 18, 2010 11:16 PM | Permalink

An altered tension means to sharp or flat the 5th or the 9th degree of the dominant chord.

One simple approach to get altered tensions on a dominant chord that are non-functioning

(non diatonic) is to play a major scale one fret or half step above the root of the dominant chord. This technique produces the following tension tones:

b9, #9, 11, b5, #5, b7, R.

Remember this formula is the same for ALL KEYS.

Assignment: Record this progression in all keys and play the appropriate major scale (shown). On the dominant chord play the scale indicated on the right of the dominant chord. Remember to use quarter then eighth notes on another track or with a friend.

Dominant seventh flat fifth flat ninth - number formula= R, 3rd, b5th, b7, b9 (same formula for ALL keys). Also called Dominant ninth flat five.

I, vi, ii , V7 in the key of C major: C maj //// Am //// Dm //// G7b5b9 //// Ab major

I, vi, ii , V7 in the key of G major: G maj //// Em //// Am //// D7b5b9 //// Eb major

I, vi, ii , V7 in the key of D major: D maj //// Bm //// Em //// A7b5b9 //// Bb major

I, vi, ii , V7 in the key of A major: A maj //// F#m //// Bm //// E7b5b9 //// F major

I, vi, ii , V7 in the key of E major: E maj //// C#m //// F#m //// B7b5b9 //// C major

I, vi, ii , V7 in the key of B major: B maj ////G#m ////C#m //// F#7b5b9 //// G major

I, vi, ii , V7 in the key of F# major: F# maj ////D#m////G#m ////C#7b5b9 //// D major

I, vi, ii , V7 in the key of C# major:C# maj ////A#m ////D#m //// G#7b5b9//// A major

I, vi, ii , V7 in the key of F major: F maj //// Dm //// Gm //// C7b5b9 //// C# major

I, vi, ii , V7 in the key of Bb major: Bb maj ////Gm ////Cm //// F7b5b9 //// F# major

I, vi, ii , V7 in the key of Eb major: Eb maj //// Cm //// Fm //// Bb7b5b9 //// B major

I, vi, ii , V7 in the key of Ab major: Ab maj //// Fm //// Bbm //// Eb7b5b9 //// E major

I, vi, ii , V7 in the key of Db major: Db maj //// Bbm //// Ebm //// Ab7b5b9 ////A major

I, vi, ii , V7 in the key of Gb major: Gb maj //// Ebm //// Abm //// Db7b5b9 //// D major

I, vi, ii , V7 in the key of Cb major: Cb maj //// Abm //// Dbm //// Gb7b5b9 //// G major

Now transpose these to each position (register) of your instrument, then to all 15 keys.

Vince Lauria Sun and Earth Music

Results tagged “3rd” from From The Composer's Chair

Polytonal Chords Part IV

Tags:

Dominant Seventh Chord - Non-Functioning Part VI

Tags:

Dominant Seventh Chord - Non-Functioning Part V

Tags:

Search

Tags

Categories

Monthly Archives

Pages