Results tagged “Diatonic Substitutions - Part 2 Major” from From The Composer's Chair

Diatonic Substitutions - Part 2

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Any of the twenty eight modes or the other scales covered can be replaced with any chord in its own family of chords. Example the C major scale (Ionian mode) can be replaced with its other chords created from the same scale.
See examples:

3 notes = C, E, G,                = C major

4 notes = C, E, G, B             = C major seventh 

5 notes = C, E, G, B, D         = C major ninth

6 notes = C, E, G, B, D, F     = C major eleventh

7 notes = C, E, G, B, D, F, A = C major thirteenth

 

Other common major chords:

(Major also written as Maj or triangle)

 

C maj 6th                          = C, E, G, A

C maj add 9th                   = C, E, G, D

C maj 6/9                          = C, E, G, A, D

C maj 7/6                          = C, E, G, B, A

 

C sus                                = C, F, G

C sus 2                             = C, D, G

C maj sus 2/7                   = C, D, G, B

Any of these chords can replace the C major chord (C/R, E/3rd, G/5th) with the above chords.


This also applies to minor chords. See example with the A minor chord: (The Aeolian mode is also known as the relative minor to C major)

3 notes   = A, C, E                   = A minor                                           (Am)
4 notes   = A, C, E, G               = A minor seventh                              (Am7)
5 notes   = A, C, E, G, B           = A minor ninth                                 (Am9)
6 notes   = A, C, E, G, B, D       = A minor eleventh                            (Am11)
7 notes   = A, C, E, G, B, D, F   = A minor eleventh add thirteenth      (Am11/b13)

Other common minor chords:
(small m means minor - also / means to add those 
additional notes to the original 3 note chord)

Am/9             = A, C, E, B
Am/11           = A, C, E, D
Am7/11         = A, C, E, G, D
Am7/b13       = A, C, E, G, F
Am9/b13       = A, C, E, G, B, F
Am7/11/b13  = A, C, E, G, D, F

Am/b6           = A, C, E, F
Am/b6/9        = A, C, E, F, B
Am/b6/11      = A, C, E, F, D
Am/b6/9/11   = A, C, E, F, B, D

Am7+             = A, C, F, G
Am7+/9         = A, C, F, B
Am7+/9/11    = A, C, F, B, D

Any of these chords can replace the A minor chord (A/R, Eb/b3rd, G/5th) with the above chords.

This also applies to dominant chords. See example with the G dominant chord: (These chords are created from the C major scale also. Based on the fifth degree of the C Major scale)

3 notes = G, B, D                     = G major                           (G)
4 notes = G, B, D, F                 = G dominant seventh         (G7)
5 notes = G, B, D, F, A             = G dominant ninth            (G9)
6 notes = G, B, D, F, A, C         = G dominant eleventh      (G11)
7 notes = G, B, D, F, A, C, E     = G dominant thirteenth    (G13)


Other common dominant chords:
(dominant also written as 7)


G7/6th                                  = G, B, D, F, E
G maj 6th                              = G, B, D, E
G maj add 9th                        = G, B, D, A
G maj 6/9                              = G, B, D, E, A

G sus                                      = G, C, D
G sus 2                                   = G, A, D

G7 sus                                    = G, C, D, F
G7 sus 2                                 = G, A, D, F
G7/6 sus                                = G, C, D, F, E
G13 sus                                  = G, D, F, A, C, E

(remember 6 functions also as 13)

Any of these chords can replace the G dominant chord (G/R, B/3rd, D/5th, F/b7) using the above chords.


Now transpose these to each position (register) of your instrument, then to all 15 keys.


All materials copyright 2010. For personal use only.
Vince Lauria Sun and Earth Music.

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