Results tagged “F” from From The Composer's Chair

Voice Leading Part XI

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This also applies to minor keys (also all modes).
The next examples are with C Harmonic Minor.

Normal Progression: 
Find common tone and move other voices scale wise.


First examples will all be in C harmonic minor (4 note chords) using Normal Progressions:
Descending chord progressions. (notes are written lowest tone on left to highest tone on right)
These chords are all created from the C Harmonic Minor Scale: C, D, Eb, F, G, Ab, B, C.

C, Eb, G, B      (C minor major seventh)
B, D, F, G        (G dominant seventh - first inversion)
Ab, C, Eb, F     (F minor seventh - first inversion)
G, Ab, C, Eb    (Ab major seventh - third inversion)
Eb, G, B, C      (C minor major seventh - first inversion)
imaj7, V7, iv7, VImaj7, imaj7 progression.

G, C, Eb, B     (C minor major seventh - second inversion)
F, B, D, G      (G dominant seventh - third inversion)
F, Ab, C, D     (D minor seventh flat fifth - first inversion)
Eb, F, Ab, C    (F minor seventh - fourth inversion) 
C, Eb, G, C     (C minor)
imaj7, V7, ii7b5, iv7, i progression.

F, Ab, C, Eb    (F minor seventh)
Eb, G, B, C     (C minor major seventh - first inversion)
D, F, G, B       (G dominant seventh - second inversion)
C, D, F, Ab     (D minor seventh flat fifth - third inversion)
B, D, F, G      (G dominant seventh - first inversion)
G, B, C, Eb    (C minor major seventh - second inversion)
iv, imaj7, V7, ii7b5, V7, imaj7 progression.


C, G, B, Eb     (C minor major seventh)
B, F, G, D       (G dominant seventh - first inversion)
B, D, F, Ab      (B diminished seventh)
Ab, C, Eb, G    (Ab major seventh)
F, B, D, G        (G seventh - third inversion)
Eb, G, C, G      (C minor)
imaj7, V7, viio7, VImaj7, V7, i progression.

D, F, Ab, C       (D minor seventh flat fifth)
C, Eb, G, C      (C minor major seventh)
B, D, F, Ab       (B diminished seventh)
G, B, D, F        (G dominant seventh)
F, Ab, C, Eb     (F minor seventh)
Eb, G, B, D      (Eb maj7 augmented)
D, F, Ab, C       (D minor seventh flat fifth) octave below first 
C, Eb, G, B, C  (C minor major seventh)
ii7b5, imaj7, viio7, V7, iv7, IIImaj7+, ii7b5, imaj7 progression.

G, C, Eb, B      (C minor major seventh - second inversion)
F, B, D, G       (G dominant seventh - third inversion)
F, Ab, C, Eb    (F minor seventh)
Eb, G, B, C     (C minor major seventh - first inversion)
imaj7, V7, iv7, imaj7 progression.

Eb, G, C, B     (C minor major seventh - first inversion)
D, F, B, G       (G dominant seventh - second inversion)
C, D, Ab, F,     (D minor seventh flat fifth - third inversion)
Ab, C, F, Eb    (F minor seventh - first inversion)
G, B, Eb, C     (C minor major seventh - second inversion)
imaj7, V7, ii7b5, iv7, imaj7 progression.


Now transpose these to each position (register) of your instrument, then to all 15 keys.


All materials copyright 2010. For personal use only.

Vince Lauria Sun and Earth Music 



Voice Leading Part X

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This also applies to minor keys (also all modes).
The next examples are with C Harmonic Minor.

Normal Progression: 
Find common tone and move other voices scale wise.


First examples will all be in C harmonic minor (4 note chords) using Normal Progressions:
Ascending chord progressions. (notes are written lowest tone on left to highest tone on right)
These chords are all created from the C Harmonic Minor Scale: C, D, Eb, F, G, Ab, B, C.
C, Eb, G, B    (C minor major seventh)
C, F, Ab, Eb   (F minor seventh - second inversion)
D, G, B, F      (G dominant seventh - second inversion)
Eb, B, C, G    (C minor major seventh - first inversion)
imaj7, iv7, V7, imaj7 progression.

Eb, B, G, C     (C minor major seventh - first inversion)
F, C, Eb, Ab    (F minor seventh)
F, D, G, B       (G dominant - third inversion)
G, Eb, B, C     (C minor seventh - second inversion)
imaj7, iv7, V7, imaj7 progression.

C, G, B, Eb   (C minor major seventh)
D, G, B, F     (G dominant seventh - second inversion)
Eb, B, C, G   (C minor major seventh - first inversion)
F, B, D, G     (G dominant seventh - third inversion)
G, C, Eb, B   (C minor major seventh - second inversion)
imaj7, V7, imaj7, V7, imaj7 progression.

Eb, B, C, G    (C minor major seventh - first inversion)
F, B, D, G      (G dominant seventh - third inversion)
Ab, C, Eb, G  (Ab major seventh)
Ab, Eb, F, C   (F minor seventh - first inversion)
imaj7, V7, VImaj7, iv7,  progression.

F, Ab, C, Eb    (F minor seventh)
Ab, C, Eb, G    (Ab major seventh)
Ab, D, F, C,     (D minor seventh flat fifth - second inversion)
B, F, G, D        (G dominant seventh - first inversion)
C, G, B, Eb      (C minor major seventh - first inversion)
iv7, VImaj7, iim7b5, V7, imaj7  progression.

C, Eb, G, B    (C minor major seventh)
C, F, Ab, Eb   (F minor seventh - second inversion)
D, Ab, C, F    (D minor seventh flat fifth)
F, B, D, G      (G dominant seventh - third inversion)
G, D, Eb, B    (Eb major seventh augmented - first inversion)
G, Eb, Ab, C  (Ab major seventh - third inversion)
Ab, C, F, Eb   (F minor seventh - first inversion)
C, Eb, G, B     (C minor major seventh)
i maj7, iv7, ii7b5, V7, IIImaj7+, VImaj7, iv7, imaj7 progression.

C, G, B, Eb     (C minor major seventh)
Eb, Ab, C, G   (Ab major seventh - second inversion)
F, C, D, Ab     (D minor seventh flat fifth - first inversion)
Ab, D, F, B     (B diminished seventh flat fifth - third inversion)
B, D, G, Eb     (E major seventh augmented - second inversion)
C, Eb, B, G     (C minor major seventh)
Eb, F, C, Ab    (F minor seventh fourth - first inversion)
F, C, D, Ab      (D minor seventh flat fifth - first inversion)
G, D, F, B        (G dominant seventh)
C, E, G, B        (C minor)
imaj7, VImaj7, ii7b5, viio7, III7+, imaj7, iv7, iim7b5, V7, i  progression.


Now transpose these to each position (register) of your instrument, then to all 15 keys.






All materials copyright 2010. For personal use only.

Vince Lauria Sun and Earth Music

Voice Leading Part IX

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This also applies to minor keys (also all modes).
The next examples are with C Harmonic Minor.

Normal Progression: 
Find common tone and move other voices scale wise.


First examples will all be in C harmonic minor (3 note chords) using Normal Progressions:
Descending chord progressions. (notes are written lowest tone on left to highest tone on right)
These chords are all created from the C Harmonic Minor Scale: C, D, Eb, F, G, Ab, B, C.

C, Eb, G    (C minor)
B, D, G     (G major - first inversion)
Ab, C, F    (F minor - first inversion)
Ab, C, Eb  (Ab major)
G, B, D     (G major)
Eb, G, C   (C minor - first inversion)
I, V, iv, VI, V, i progression.

G, C, Eb   (C minor - second inversion)
G, B, D     (G major)
F, Ab, D   (D diminished - first inversion)
F, Ab, C   (F minor)
Eb, G, C   (C minor - first inversion)
I, V, ii, IV, i progression.

F, Ab, C   (F minor)
Eb, G, C  (C minor - first inversion)
D, G, B   (G major - second inversion)
D, F, Ab  (D diminished)
C, F, Ab  (F minor - second inversion)
C, Eb, G  (C minor)
iv, i, V, iio, iv, i progression.

C, Eb, G   (C minor)
B, D, G    (G major - first inversion)
B, D, F    (B diminished)
Ab, D, F   (D diminished - second inversion)
G, C, Eb   (C minor - second inversion)
i, V, viio, iio, i progression.

D, F, Ab     (D diminished)
C, Eb, Ab   (Ab major - first inversion)
B, Eb, G     (Eb augmented - second inversion)
B, D, G      (G major - first inversion)
Ab, C, F     (F minor - first inversion)
G, B, D      (G major)
iio, VI, III+, V, iv, V progression.

G, C, Eb    (C minor - second inversion)
G, B, D      (G major)
F, Ab, C     (F minor)
Eb, G, C  (C minor - first inversion)
i, V, iv, i progression.

Eb, G, C  (C minor - first inversion)
D, G, B    (G major - second inversion)
D, F, Ab   (D diminished)
C, F, Ab   (F minor - second inversion)
C, E, G    (C minor)
i, V, iio, iv, i progression.


Now transpose these to each position (register) of your instrument, then to all 15 keys.



All materials copyright 2010. For personal use only.

Vince Lauria Sun and Earth Music

Now we will revisit the diatonic dominant seventh chords for C Harmonic Minor and play them as an arpeggio. 
An arpeggio is to play the notes that belong to one chord, in sequence going up or down in tone. Arpeggio is from Italian meaning "to play on a harp".

The natural tension tones from harmonic minor for the G dominant seventh are: G7, G7b9, G7/b9/11, G11/b9/b13.
G, Ab, B, C, D, Eb,  F,  G, Ab,  B,  C,  D,  Eb,   F,   G
R, b2,  3, 4, 5, b6, b7, 8, b9, 10, 11,12,b13, b7, 1/8/R 

G7  = R, 3, 5, b7                                   = G, B, D, F
Gb9  = R, 3, 5, b7, b9                           = G, B, D, F, Ab 
G11b9 = R, 3, 5, b7, b9, 11,                  = G, B, D, F, Ab, C
G11/b9/b13 = R, 3, 5, b7, b9, 11,b13    = G, B, D, F, Ab, C, Eb 
The scale used is C harmonic Minor.

Assignment: Record this progression in all keys and play the appropriate minor scale (shown) using quarter then eighth notes on another track or with a friend. Also on the dominant seventh chord play the given arpeggio up then down in tone.


i, VI maj7, ii7b5 , V7b9 in the key of C harmonic minor:   Cm // Abmaj7 // Dm7b5 //  G7b9 //// ////
G7  = R, 3, 5, b7                  = G, B, D, F                 play up  G, B, D, F, down D, B, G
G7/b9  = R, 3, 5, b7, 9         = G, B, D, F, A             play up  G, B, D, F, Ab, down F, D, B, G 
G7/b9/11 = R, 3, 5, b7, 9, 11, = G, B, D, F, A, C     play up  G, B, D, F, Ab, C, down  Ab, F, D, B, G
G11/b9/b13 = R, 3, 5, b7, 9, 11, 13  = G, B, D, F, A, C, E  play up  G, B, D, F, A, C, E, down C, A, F, D, B, G

Now play the dominant seventh chord and all its natural tensions arpeggio style. Do this for each key.
 

i, VI, ii7b5 , V7b9 in the key of C# harmonic minor: C#m //A#maj7 // D#m7b5 // G#7b9 // 
i, VI, ii7b5 , V7b9 in the key of D harmonic minor:   Dm //  Bbmaj7 // Em7b5 // A7b9 // 
i, VI, ii7b5 , V7b9 in the key of Eb harmonic minor: Ebm // Bmaj7 //   Fm7b5 // Bb7b9 // 
i, VI, ii7b5 , V7b9 in the key of E harmonic minor:   Em //  Cmaj7 //   F#m7b5 // B7b9 // 
i, VI, ii7b5 , V7b9 in the key of F harmonic minor:   Fm // Dbmaj7 // Gm7b5 //   C7b9 // 
i, VI, ii7b5 , V7b9 in the key of F# harmonic minor: F#m // Dmaj7 // G#m7b5 // C#7b9 // 
i, VI, ii7b5 , V7b9 in the key of G harmonic minor:  Gm // Ebmaj7 // Am7b5 //   D7b9 // 
i, VI, ii7b5 , V7b9 in the key of Ab harmonic minor: Abm //Emaj7 //  Bbm7b5 // D#7b9 // 
i, VI, ii7b5 , V7b9 in the key of A harmonic minor:  Am   // Fmaj7 // Bm7b5 //   E7b9 // 
i, VI, ii7b5 , V7b9 in the key of Bb harmonic minor: Bbm // Gbmaj7// Cm7b5 //   F7b9 // 

C# Db same note different name (enharmonic) also D# Eb, F# Gb, G# Ab, A# Bb.  


Now record (or have a friend play) these progressions in all fifteen keys using all diatonic dominant natural extensions.

Also do the progressions at a very slow tempo to hear tension and release of chords. Start at 50 BPM. Then increase by 10 BPM every cycle of fifteen keys.


Now transpose these to each position (register) of your instrument, then to all 15 keys.


All materials copyright 2010. For personal use only.

Vince Lauria Sun and Earth Music


The natural tension tones for G dominant seventh are: G7, G9, G11, G13.
G7  = R, 3, 5, b7           =  G, B, D, F
G9  = R, 3, 5, b7, 9       =  G, B, D, F, A 
G11 = R, 3, 5, b7, 9, 11, = G, B, D, F, A, C
G13 = R, 3, 5, b7, 9, 11, 13 = G, B, D, F, A, C, E 
The scale used is C Major. 

Assignment: Record this progression in all keys and play the appropriate major scale (shown) using quarter then eighth notes on another track or with a friend.

I, vi, ii , V7 in the key of C major:   C maj //// Am //// Dm //// G7 //// 
I, vi, ii , V7 in the key of G major:   G maj //// Em //// Am //// D7 ////
I, vi, ii , V7 in the key of D major:   D maj //// Bm //// Em //// A7 ////
I, vi, ii , V7 in the key of A major:   A maj //// F#m //// Bm //// E7 ////
I, vi, ii , V7 in the key of E major:   E maj //// C#m //// F#m //// B7 ////
I, vi, ii , V7 in the key of B major:   B maj //// G#m //// C#m //// F#7 ////
I, vi, ii , V7 in the key of F# major: F# maj //// D#m //// G#m //// C#7 ////
I, vi, ii , V7 in the key of C# major: C# maj //// A#m //// D#m //// G#7 ////

I, vi, ii , V7 in the key of F major:    F maj //// Dm //// Gm //// C7 ////
I, vi, ii , V7 in the key of Bb major:  Bb maj //// Gm //// Cm //// F7 ////
I, vi, ii , V7 in the key of Eb major:  Eb maj //// Cm //// Fm //// Bb7 ////
I, vi, ii , V7 in the key of Ab major:  Ab maj //// Fm //// Bbm //// Eb7 ////
I, vi, ii , V7 in the key of Db major:  Db maj //// Bbm //// Ebm //// Ab7 ////
I, vi, ii , V7 in the key of Gb major:  Gb maj //// Ebm //// Abm //// Db7 ////
I, vi, ii , V7 in the key of Cb major:  Cb maj //// Abm //// Dbm //// Gb7 ////



Now transpose these to each position (register) of your instrument, then to all 15 keys.


All materials copyright 2010. For personal use only.

Vince Lauria Sun and Earth Music

C major scale = C, D, E, F, G, A, B, C     (no sharps or flats)

 

C major (3 note) family of chords

C major, D minor, E minor, F major, G major,  A minor, B diminished,

I               ii            iii         IV             V           vi            viio

 

C major (4 note) family of chords

C maj7,   Dm7,      Em7,        Fmaj7,      G7,       Am7,     Bm7b5,

Imaj7      ii7           iii7          IV maj7      V7        vi7         viiØ7

 

(the dominant seventh chord (G7 in the key of C major) is the chord

that defines the key were in - more on this later.)

 

 

G major scale = G, A, B, C, D, E, F#, G   (one sharp F#)

G major (3 note) family of chords

G major, A minor, B minor, C major, D major, E minor, F# diminished,

I               ii         iii           IV           V            vi             viio

 

G major (4 note) family of chords

G maj7,   Am7,      Bm7,       Cmaj7,      D7,       Em7,    F#m7b5,

Imaj7       ii7          iii7         IV maj7     V7         vi7        viiØ7

 

 

D major scale = D, E, F#, G, A, B, C#, D    (two sharps F#, C#)

D major (3 note) family of chords

D major, E minor, F# minor, G major, A major, B minor,  C# diminished,

I             ii           iii           IV          V           vi             viio

 

 

D major (4 note) family of chords

D maj7,  Em7,     F#m7,     Gmaj7,      A7,        Bm7,    C#m7b5,

Imaj7      ii7        iii7         IV maj7      V7          vi7        viiØ7

 

 

 

A major scale = A, B, C#, D, E, F#, G#, A   (three sharps F#, C#, G#)

A major (3 note) family of chords

A major, B minor, C# minor, D major,  E major,  F# minor, G# diminished,

I            ii             iii          IV            V           vi               viio

 

A major (4 note) family of chords

A maj7,   Bm7,     C#m7,      Dmaj7,     E7,       F#m7,    G#m7b5,

Imaj7       ii7         iii7          IV maj7    V7         vi7          viiØ7

 

E major scale = E, F#, G#, A, B, C#, D#, E   ( four sharps F#, C#, G#, D#)

E major (3 note) family of chords

E major, F# minor, G# minor, A major, B major,  C# minor, D# diminished,

I            ii            iii            IV           V            vi              viio

 

E major (4 note) family of chords

E maj7,  F#m7,     G#m7,      Amaj7,      B7,       C#m7,    D#m7b5,

Imaj7      ii7          iii7         IV maj7      V7          vi7          viiØ7

 

 

B major scale = B, C#, D#, E, F#, G#, A#, B   (five sharps F#, C#, G#, D#, A#)

B major (3 note) family of chords

B major, C# minor, D# minor, E major, F# major, G# minor,  A# diminished,

I                ii           iii            IV           V              vi                viio

 

B major (4 note) family of chords

Bmaj7,  C#m7,     D#m7,      Emaj7,       F#7,        G#m7,         A#m7b5,

Imaj7     ii7          iii7          IV maj7       V7           vi7               viiØ7

 

 

F# major scale = F#, G#, A#, B, C#, D#, E#, F# (six sharps F#, C#, G#, D#, A#, E#)

F# major (3 note) family of chords

F# major, G# minor, A# minor, B major, C# major, D# minor, E# diminished,

I              ii             iii            IV            V           vi            viio

 

F# major (4 note) family of chords

F# maj7,  G#m7,     A#m7,        Bmaj7,       C#7,       D#m7,    E#m7b5,

Imaj7         ii7          iii7           IV maj7       V7           vi7         viiØ7

 

 

 

 

C# major scale = C#, D#, E#, F#, G#, A#, B#, C#  (seven sharps F#, C#, G#, D#, A#, E#, B#)

C# major (3 note) family of chords

C# major, D# minor, E# minor,  F# major, G# major,  A# minor, B# diminished,

I              ii              iii            IV           V              vi               viio

 

C# major (4 note) family of chords

C# maj7,  D#m7,     E#m7,      F#maj7,       G#7,         A#m7,     B#m7b5,

Imaj7        ii7         iii7           IV maj7         V7            vi7           viiØ7

 

 

 

Assignment memorize all the family of chords for each of the circle of fifths.

 

Then record (or have a friend play) these common major scale chord progressions 5 to 10 minutes for each key. Then live (or on another track) play the major scale for each key. Do this for all of the seven keys. Play the major scales first using quarter then eighth notes.

Start about 100 BPM.

 

1. I //// IV //// V ////  IV ////

 

2. ii //// V //// I ////

 

3. ii //// V //// I //// vi ////

 

4. I //// V //// vi //// IV ////                                                           

(also experiment substituting the four note chords for the three note chords) 

 Later create at least 4 to 6 of your own progressions for each major scale key.

 

 

Now transpose these to each position (register) of your instrument, then to all 15 keys.


All materials copyright 2010. For personal use only.

Vince Lauria Sun and Earth Music

Slash Chords

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A Slash Chord tells you which one of the notes within the chord will be the lowest tone that is played in that chord.

In the first examples C major is the slash chord. C major = C - E - G

 

C/C  C  the C note is the lowest tone in chord

This is a C major chord with C as the lowest tone

This is usually not indicated because it is assumed to be the lowest tone. 

 

C/E   the E note is the lowest tone in the chord

This is a C major first inversion

 

C/G  the G note is the lowest tone in chord

This is a C major second inversion

 

C/B  the B note is the lowest tone in chord

This is a C major seventh third inversion

 

C/D  the D note is the lowest tone in chord

This is a C major ninth fourth inversion

 

 

Now look at this using the key of C# major:

 

C#/E#   the E# note is the lowest tone in the chord

This is a C# major first inversion

 

C#/G#  the G# note is the lowest tone in chord

This is a C# major second inversion

 

C#/B#  the B note is the lowest tone in chord

This is a C# major seventh third inversion


C#/D#  the D note is the lowest tone in chord

This is a C# major ninth fourth inversion


(Now do this for all other thirteen keys -

G, D, A, E, B, F# - Circle of Fifth's

F, Bb, E, Ab, Db, Gb, Cb - Circle of Fourths).

 

 

Now look at this using the key of C minor.

In the following examples C minor is the chord above the lowest tone. C minor = C -Eb- G

 

Cm/Eb   the Eb note is the lowest tone in the chord

This is a C minor first inversion

 

Cm/G  the G note is the lowest tone in chord

This is a C minor second inversion

 

Cm maj7/B  the B note is the lowest tone in chord

This is a C minor major seventh third inversion

 

Cm/D  the D note is the lowest tone in chord

This is a C minor ninth fourth inversion

 

 

You can pick any note in a chord to be a slash chord. Many times this technique is used to move scale wise or chromaticly in the lowest tone:

 

"Stairway to Heaven" by Led Zeppelin:

Am/A - Am maj 7/G# - Am7/G - Bm7/F# - F maj 7 /F. This is a chromatic scale descending from A, G#, G, F#, F.

 

A is the root of A minor, G# is the major seventh of A minor, G is the flat seventh of A minor, F# is the fifth of Bm7, F is the root of Fmaj7.

 

 

"In Waltz For Debby" by Bill Evans & Gene Lees

A7/G - D7/F# - G7/F - C7/E - F7/Eb - Bb6/D - Gm7b5/Db - C7/C - C7/Bb - Am7/A.

Again a chromatic scale descending from G to A.

G is the flat seventh of A7, F# is the third of D7, F is the flat seventh of G7, E is the third of C7, Eb is the flat seventh of F7, D is the third of Bb6, Db is the flat fifth of Gm7b5, C is the root of C7, Br is the flat seventh of C7, A is the root of Am7.

 

 

Any chord can be made into a slash chord by simply adding whatever note after the slash sign.  




Now transpose these to each position (register) of your instrument, then to all 15 keys.


All materials copyright 2010. For personal use only.
Vince Lauria Sun and Earth Music

The Whole Tone Scale is another symmetrical scale. Repeating intervals of whole steps.
(the diminished scale is repeating intervals of whole and half steps)

C whole tone scale is: C, D, E, F#, G#, A#, C
Notice it is a six note scale.
It only has two keys C and C#.
C# whole tone scale is: C#, D#, F, G, A, B. 

This scale is mostly used over the dominant seventh sharp fifth or dominant seventh flat fifth chords: 
Example using C as root C7#5 or C7b5.

Other chords from harmonizing scale the whole tone scale: 
C augmented (C+, C#5)    = C, E, G# 
C maj #11,                      = C, E, F#
C maj #11/9                    = C, E, F#, D
C7 (no fifth)                    = C, E, Bb (A#)
C7#5                               = C, E, Bb(A#), G#
C7b5                               = C, E, Bb, F#
C7#5/#11                        = C, E, Bb,G#, F#  
C9 (no fifth)                    = C, E, Bb, D                                
C9#5                               = C, E, Bb, D, G#
C9b5                               = C, E, Bb, D, Gb
C9/#11                           = C, E, Bb, D, F#

Gb F#, Bb A#, F# Gb, (enharmonic) same note.


Also a common soloing technique is to play the whole tone scale one half step (fret) down in tone from the root of a minor or minor seventh chord.

Record C minor then play B whole tone scale against it. This is called outside or altered playing. (More on this in later lessons)

C minor seventh     = C, Eb, G, Bb
B whole tone scale = B, C#, D#, E#, G, A, B

The notes of the B whole tone scale produce the following tensions = 
B    = major 7th
C#  = flat 9th
D#  = sharp 9th
E#  = 4th (11th)
G   = 5th
A   = 6th (13th)


Now record (or have a friend play) each of the above chords for five minutes each and live (or on another track) play the C and B whole tone scales using quarter then eighth notes. 






Now transpose these to each position (register) of your instrument, then to all 15 keys.


All materials copyright 2010. For personal use only.

Vince Lauria Sun and Earth Music

  

 

The Blues Scale!

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One of the most commonly used scales in music besides the Major Scale is the Blues Scale.
Today lets learn it - then later I will show you ways to apply it.

First most scales are seven notes in a certain interval formula. What that means is out of the twelve notes in our musical system we usually use just seven of the twelve.
(an interval is the distance between any two notes - more on this later)

First lets review the number formula for a Major Scale:
R/1, 2nd, 3rd, 4th, 5th, 6th, 7th, 8th/R or octave
The notes in the key of C would be:
C,D,E,F,G,A,B,C

The Blues Scale number formulas is:
R1, b3rd, 4th, b5th, 5th, b7th, 8th/R or octave.
The notes in the key of C would be:
C, Eb, F, Gb, G, Bb, C


Now transpose these to each position (register) of your instrument, then to all 15 keys.

 

All materials copyright 2010. For personal use only.

Vince Lauria Sun and Earth Music


Vince Lauria 

String groups for guitar part 4

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C major on the D, A, and low thick E string.

3rd fret low E, 3rd fret A string, 2nd fret D string

8th fret low E string, 7th fret A string, 5th fret D string

12th fret low E string, 10th fret A string, 10th fret D string

15th fret low E string, 15th fret A string, 14th fret D string - this is one octave above first example.

This completes the four string groups for the C major chord. Once you learn all the positions and note names for each chord across neck, then do this same process for the other most common chords: C minor,C diminished, C augmented. (Music Chord Theory 101, Music Chord Theory part two)

Then start to do in other key:, D, E ,F ,G ,A ,B.




Now transpose these to each position (register) of your instrument, then to all 15 keys.

 

All materials copyright 2010. For personal use only.

Vince Lauria Sun and Earth Music

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